TIDINGS OF JOY
A Classical Christmas with soprano Angela Theis and pianist Timothy Cheek
Friday, December 17th @ 8:00 PM
Soprano Angela Theis (Michigan Opera Theater, Eugene Opera, Utah Opera) and pianist Timothy Cheek (University of Michigan SMTD professor), return to Kerrytown Concert House for an uplifting and beautiful concert highlighting the spirit of the holiday season! Longtime collaborators (featured by ProMusica LIVE and Orchestra SONO), this duo will present a moving and inspirational classical holiday program that will include Christmas favorites such as “O Holy Night,” “Gesu Bambino,” and more.
COVID-19 Safety Policy for Indoor Concerts
- Moving forward, all patrons and artists who wish to attend or present performances indoors at KCH must provide a valid, complete COVID-19 vaccination card OR proof of a negative COVID-19 test performed within the previous 72 hours prior to entry. Such proof must be presented at concert check-in, may be displayed on a smartphone OR presented as a physical copy, and must also be accompanied by a matching, valid ID for verification.**
- Additionally, according to current CDC recommendations, masks are required for audiences inside the House and can only be removed when seated with a beverage (when available). When performing, artists may wear a mask, or not, at their own discretion.
**Proof of vaccination exceptions will be made for children under 12 and people with a medical condition or closely held religious beliefs that prevent vaccination. These guests must provide proof of a negative COVID-19 test taken within the previous 72 hours prior to entry.
Soprano Angela Theis has captivated the attention of audiences and critics alike, while remaining active in her hometown Detroit area. She is featured on the 2017 David DiChiera Letters & Fantasies album and continues to be an ambassador for Michigan Opera Theatre and the music of its late founder. Ms. Theis was an original member of the Michigan Opera Theatre Studio, serving as the Soprano resident artist from 2015-2017. A perennial favorite of Michigan Opera Theatre, she has performed Barbarina in Le nozze di Figaro, Beth in Little Women, Frasquita in Carmen, Papagena (Pamina cover) in The Magic Flute, Laurie in The Tender Land, Yvette in The Passenger, the High Priestess in Aïda, and Marzelline in Fidelio.
Around the country, Ms. Theis has performed the roles of Susanna in Le nozze di Figaro with Toledo Opera, Adina in L’elisir d’amore and Mabel in Pirates of Penzance with Eugene Opera, Johanna in Sweeney Todd with Syracuse Opera, Clorinda in La Cenerentola and Frasquita in Carmen with Opera Roanoke, and Dew Fairy in Hansel and Gretel and Beth in Little Women with Utah Opera. In 2019, Ms. Theis made her solo debut at Carnegie Hall, and she has been a soloist with the South Bend Symphony Orchestra, Utah Symphony, and various professional ensembles in the Detroit area.
Ms. Theis has been honored with numerous grants and awards for her scholarship and singing in Italy and Austria, where she studied abroad and completed a postgraduate fellowship under Barbara Bonney at the Universität Mozarteum Salzburg. She won both the Audience Choice Award and 2nd Prize in the 2013 AIMS Meistersinger Competition in Austria, and she was a 2012 Michigan winner of the Metropolitan Opera National Council Auditions.
In her final year of her Master of Music at New England Conservatory, she was seen as Gretel in Hansel and Gretel and as Zerlina in Don Giovanni, for which the Boston Globe praised her “bright, bold, and beguilingly sung” performance. Ms. Theis holds a Bachelor of Business Administration with a double major in Marketing and Music from the University of Notre Dame.
Vocal coach and pianist Timothy Cheek joined the faculty of the University of Michigan School of Music, Theatre & Dance (SMTD) in 1994, and serves as music director of Opera Workshop, as an instructor of lyric diction classes, and as a coach for opera productions. From 2000–2006, Cheek worked as a pianist/coach at U-M’s spring term vocal program in Sesto Fiorentino, Italy, serving the last two years as director of the program. He is also an associate faculty member of the University’s Center for Russian, East European, and Eurasian Studies (CREES), and teaches a Czech Vocal Literature course for singers and pianists.
Cheek has performed recitals as a collaborative pianist in 18 countries on four continents and has been heard on radio and television programs around the world. He was a regular faculty member of the Moravian Master Class, a summer program in Náměšt’ nad Oslavou, near Brno, Czech Republic, dedicated to the study of Czech art song and opera roles. In 2007 and 2008, he was the music director of the Studio Giovani vocal program at the Opera Theatre and Music Festival of Lucca, Italy. He has also worked as pianist/coach at the Steans Institute for Young Artists, Chicago; Michigan Opera Theatre, Detroit; Teatro municipal, Santiago, Chile; Israel Vocal Arts Institute, Tel Aviv; Santa Fe Opera; Mozart Opera Studies Institute, Austria; Bay View Music Festival, Michigan; Bel Canto Northwest Vocal Institute, Portland, Oregon; and at various other programs, including the International Institute for Chamber Music, held in Munich, Germany, where, as a faculty member, he performed for five summers as master class pianist for Elly Ameling, Walter Berry, Thomas Grubb, and Jörg Demus. He has served as a guest coach at numerous schools and festivals around the world, such as the Eastman School of Music; Oberlin Conservatory; University of North Texas; Opera Nuova, Canada; Academy of Vocal Arts, Philadelphia; Cherubini Conservatory, Florence; Conservatory of Music, Prague, Czech Republic; Music Academy, Bratislava, Slovakia; Lawrence Conservatory, Wisconsin; Shenandoah Conservatory, Virginia; University of Cape Town/Cape Town Opera, South Africa; Notre Dame University; University of Maryland; Florida State University; and others.
For his book Singing in Czech, published in 2001, the journal Notes proclaimed: “Cheek sets a new and very welcome high standard for teaching lyric diction.” This standard continues with his educational DVD on Italian lyric diction, available in 2021. Utilizing computer animation, video, audio recordings of renowned Italian baritone Alessandro Corbelli, and interviews with other Italian diction specialists Nico Castel, Donna Brunsma, Anna Toccafondi, David Adams, and Gildo di Nunzio, the DVD promises to supplement traditional approaches to learning Italian diction with a dynamic approach that is called for by the rhythmic, physical language of Italian. Cheek is also the series editor for Rowman & Littlefield’s series of diction books on Greek, Polish, Brazilian Portuguese, and Mandarin by a variety of authors.
Cheek holds a doctorate in collaborative piano and chamber music from SMTD, where he studied with Martin Katz. He also holds degrees in piano performance from the Oberlin Conservatory of Music and from the University of Texas at Austin, where he studied with Gregory Allen. Cheek was the recipient of a Fulbright Award in 1990–1991, studying as an opera coach apprentice at the Teatro comunale in Florence, Italy under conductors Bruno Bartoletti, Gianandrea Gavazzeni, and Zubin Mehta.
Dr. Cheek has an affinity for Czech vocal music, founded on an internship at the National Theatre in Prague under the great Janáček conductor Bohumil Gregor. Cheek’s books, including Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras; a series on Janáček’s opera libretti; a book on Smetana’s The Bartered Bride; and a book on Dvořák’s Rusalka, are recognized internationally as authoritative resources for singing in Czech, and have been utilized and praised by singers, conductors, coaches, and opera houses around the world. Cheek’s championing of the works of Czech female composer Vítězslava Kaprálová (1915–40) led to his performing several world premieres of her songs; to his recording of the complete songs of Kaprálová with celebrated Czech soprano Dana Burešová on Supraphon records, nominated for the best recording of 2003 by the Czech journal Harmonie, and acclaimed by numerous critics in journals such as Fanfare and BBC Music Magazine; to lecture/performances on the composer around the USA and in Europe; to a critical edition of the songs of Kaprálová edited by Cheek for the Czech publisher Amos Editio in 2006; to organizing the most comprehensive festival of Kaprálová’s music in celebration of the centenary of the composer’s birth, in 2015, at the University of Michigan; and to an edition of the orchestral song Smutný večer/Sad Eveningwith Czech Radio publications, Prague, in 2016, that includes his orchestration of the final fourteen measures of missing orchestration. Cheek has served as the official pianist for the USA rounds of the American International Czech & Slovak Voice Competition since 2003. In 2010, famed Czech composer Sylvie Bodorová composed her song cycle Jabloňový vlak [Apple train] for Cheek, soprano Laurie Lashbrook, and dancer Bohuslava Jelínková. The performers premiered the work in Sydney, Australia the same year. In 2012, Cheek performed works by Dvořák, Kaprálová, and Hoiby with bass-baritone Stephen Morscheck at the historic Rudolfinum, Prague, for an audience that included former Secretary of State Madeleine Albright, as part of celebrations between the USA and the Czech Republic of the presentation of an inaugural Award for Democracy and Freedom. Cheek’s playing of Dvořák with the acclaimed men’s chorus Cantus was released in 2013 on their CD Song of a Czech, praised by Harmonie magazine, Czech Republic. In 2014, Cheek served on the jury of the 49th International Antonín Dvořák Singing Competition in Karlovy Vary, Czech Republic, the oldest continuous voice competition in the world. In 2015, Cheek served as pianist and coach for the South American premiere of Rusalka, at the Teatro municipal, Santiago, Chile. In 2019, Cheek performed an all-Czech recital at the historic Rideau Club, Ottawa, with famed Czech baritone Adam Plachetka.
