Akropolis+YAK Akropolis+YAK Akropolis+YAK




New Music


  • $30 Assigned Rows 1-2
  • $20 Assigned Rows 3-5
  • $15 General Admission
  • $5 Student
  • Tim Gocklin, oboe
  • Kari Landry, clarinet
  • Matt Landry, saxophone
  • Ryan Reynolds, bassoon
  • Andrew Koeppe, bass clarinet

Event Details

Click here for a teaser trailer!

Akropolis+YAK is an electro-acoustic, Tibetan throat singing-inspired collaboration. Utilizing YAK's amplified violin/viola da gamba and the electronic drone signal processing, the collaboration brings a new-age sound to an ancient art form. Akropolis utilizes the natural overtone systems of their single and double reed instruments to improvise over a pre-mapped structure. The result is a large-scale, collaboratively composed, one-movement work that takes the audience through a sound universe they've never experienced before. In addition to this collaborative work, Akropolis will perform acoustic and amplified contemporary selections.

Tim Gocklin

Known for his “extraordinary…remarkably beautiful oboe playing” (Fanfare Magazine) Timothy Gocklin began taking oboe lessons at age 11. Since then, he has performed with some of the world’s leading artists, including Yo-Yo Ma, Peter Frankl and David Shifrin.

Outside of Akropolis, Tim has performed in a wide variety of settings with ensembles such as Le Train Bleu under the direction of Ransom Wilson, Cantata Profana, New York Chamber Soloists, The Mozart Orchestra of New York, The Orchestra of St. Luke’s, the Argus String Quartet, and The Phantom of the Opera on Broadway. Tim is a two-time winner of the Yale School of Music’s Chamber Music Competition and has performed on the Oneppo Concert Series with Poulenc’s Sextuor for piano and winds and Dutilleux’s mammoth work, Les Citations for oboe, bass, harpsichord and percussion. In 2013, he performed works by Hindemith in Carnegie Hall’s Zankel Hall and Weill Recital Hall as part of the Yale in New York series in celebration of the composer’s legacy. He has performed at Chamber Music Norhthwest with David Shifrin and oboist Allan Vogel in a program of Dvorak’s Wind Serenade, Op. 44 and Mozart’s Gran Partita in B-flat, KV 361. Additional summer engagements have included appearances at the Caramoor Festival with the Orchestra of St. Luke’s, Jon Manassse’s Cape Cod Music Festival, the Yellow Barn Music Festival with pianist Leon Fleischer, and fellowships at the Norfolk and Sarasota Chamber Music Festivals.

Tim can be heard on the NAXOS and Block M record labels, including recordings with the University of Michigan Symphony Band in 2010 and 2012, the second of which featured new works for wind ensemble under the direction of Michael Haithcock. These works were taken on a tour to China where the band performed 9 concerts in 6 cities, including at Beijing’s National Centre for the Arts and Shanghai’s Grand Theatre. In 2011, he recorded the three piano concerti of Alberto Ginastera with pianist Barbara Nissman and the University of Michigan Symphony Orchestra.

In 2012, Tim received his Bachelor’s degree summa cum laude from the University of Michigan where he studied with Dr. Nancy Ambrose King. He completed his Master of Music degree and an Artist Diploma at Yale University studying with Steven Taylor. When not making reeds for beginners and pros via his reed making business, Tim can be found relaxing in a coffee shop with a journal and pencil on one side and a hot, robust cup of coffee on the other.

Kari Landry

Kari Landry is a Backun Artist and has performed alongside leading chamber artists. As the Marketing and Development Manager of Akropolis’ 501(c)(3) nonprofit, Kari is committed to increasing access to classical music within communities and educating the next generation of musicians to ensure that a vibrant culture of art persists in our society.

Kari is currently an intermediate lecturer at the University of Michigan School of Music, Theater, and Dance where she teaches entrepreneurial courses on the business of chamber music and running an arts organization.

Kari is also currently the Marketing & Programs Manager at the Ann Arbor Summer Festival, an exhilarating celebration of performing arts, outdoor entertainment, and community spirit. Offering 170 + concerts and events to discover with 80,000+ attendees annually, A2SF showcases the best in music, dance, comedy, film, circus and street arts, and family entertainment. Going on her sixth season with the festival, Kari’s responsibilities range from digital media & web management, digital & print marketing, program booking, graphic content creation, and nightly event management.

Prior to her current position, Kari received a Michigan EMMY for best historical documentary for her work on “A Space for Music, A Seat for Everyone,” showcasing 100 Years of University Musical Society Performances in Hill Auditorium. Kari also teachers a yearly mini-course at the University of Michigan titled, “The Business of Chamber Music.”

Kari received her bachelor’s and master’s degrees in clarinet performance from the University of Michigan, studying with Cleveland Orchestra clarinetist Dan Gilbert. Kari was the E-flat Clarinetist in the University of Michigan Symphony Band’s 2011 tour to China, which released a recording of premiere band works by the composers Kristin Kuster, Bright Sheng and Michael Daugherty under the Block M record label. Kari has also spent two of her college summers at the Aspen Music Festival. As an avid clarinet teacher in southeast Michigan, Kari owes all of her musical success to her instructors. Her clarinet teachers have included Dan Gilbert, Chad Burrow, Ted Oien and Suzy Dennis-Bratton.

Matt Landry

Matt first took up the clarinet after six years of piano, and finally the saxophone in middle school. His first gigs and teaching experience were as a pianist. Born in New Orleans before moving to Michigan in grade school, Matt dabbles in and appreciates many musical styles.

He has been featured on several concerts with Orchestra Canton, including Milhaud’s La Création du Monde, which he also performed in Portland, OR with eminent chamber musicians including Jennifer Frautschi and Tara Helen O’Connor, and he has performed Bernstein’s On the Town with the Dearborn Symphony. He also appears regularly with the Michigan Philharmonic. As well as Akropolis’ three studio albums, he can be heard on two CDs produced by the UM Symphony Band under the Equilibrium Records label, Raise the Roof and Classic Structures. Matt received his Bachelor’s degree Summa Cum Laude in Music Education and Saxophone from the University of Michigan, where he studied with Donald Sinta.

Matt is an avid educator and community engagement specialist. He interned at the Detroit Symphony Orchestra in neighborhood audience development, led community outreach efforts at the Expressions Music Academy, and for four years worked in health care and small business growth efforts for the Detroit Regional Chamber of Commerce in Detroit, MI.

Matt has also taught middle school band and elementary music full time and he has helped create after-school music programs in west Detroit. He is now the full-time Executive Director of Akropolis’ nonprofit, Akropolis Quintet, Inc.

In his spare time he enjoys writing, reading, collecting more pianos than his small home has room for, running even though his knees won’t allow it, and trying to emulate the southern cooking styles of his extended southern family.

Ryan Reynolds

Ryan chose the bassoon in 5th grade under the impression that it produced only one note and would therefore be the easiest instrument to play. His disappointment upon discovering three and a half octaves of notes quickly turned to fascination and intrigue, with the “gorgonzola of the orchestra” providing daily mysteries and rewards.

In fall, 2017 Ryan joins the faculty of Miami University (Ohio) as Visiting Assistant Professor of Bassoon. Previously Ryan was the Graduate Teaching Assistant for the Florida State University bassoon studio where he received his Doctorate in Bassoon. He has performed with the Traverse and Ann Arbor Symphony Orchestras. In 2009, Ryan toured the upper peninsula of Michigan with the Sonrisa Wind Quintet as an artist-in-residence for the Pine Mountain Music Festival, and in 2012 was a member of the Interlochen Ensemble, a wind quintet built entirely of Interlochen alumni that toured around the Midwest.

A passionate educator, Ryan has taught a studio of young bassoonists from throughout southern Michigan and at Florida State University. He will be a judge for the junior level at the Fischoff National Chamber Music Competition this May and was Akropolis’ representative to judge the Barlow Endowment’s first prize for a reed quintet commission. He has taught numerous beginning bassoon camps, masterclasses, and clinics at schools around the United States. He has taught bassoon methods classes at the collegiate level, and coached several chamber ensembles at FSU.

Ryan has been featured on National Public Radio’s “From the Top”, Interlochen Public Radio, and can be seen in numerous videos in the University of Michigan Bassoon Studio YouTube series.

After attending the Interlochen Arts Academy from 2004-08 where he studied with Dr. Eric Stomberg, Ryan replaced his ‘Interlochen blues’ with Michigan’s, attending the University of Michigan from 2008-2014 while studying with Dr. Jeffrey Lyman, where he received his Bachelor’s and Master’s degrees in bassoon.

Andrew Koeppe

An Ann Arbor native, Andrew majored in clarinet at the University of Michigan and studied with Chad Burrow, Deborah Chodacki and Monica Kaenzig. He performed in the University Symphony Band under the direction of Michael Haithcock, and the University Symphony Orchestra and University Opera Theater under the direction of Kenneth Kiesler. Andrew can be heard on two University of Michigan CDs, including interactions with acclaimed soloists Nancy Ambrose King and Adam Unsworth, as well as the premiere of William Bolcom’s Symphony for Band. He was the featured clarinet soloist in Bolcom’s band orchestration of “Graceful Ghost Rag” on the University of Michigan Symphony Band CD Artifacts. Today, he is a regular performer with the Ann Arbor Symphony Orchestra.

While studying at the University of Michigan, Andrew performed in clarinet master classes with Stanley Drucker (New York Philharmonic), Carey Bell (San Francisco Symphony), Julia Heinen (Professor, California State University), and eighth blackbird. He was also selected to attend the Buffet-Crampon USA Clarinet Academy in Jacksonville, Florida in 2009 where he studied with clarinetists Eugene Mondie, Dan Gilbert, Andre Moisan, and Ixi Chen.

Also in 2009, Andrew played principal clarinet and bass clarinet in a small orchestral ensemble of select University of Michigan students in a weeklong multi-media workshop and final performance of “Ask Your Mama” with composer Laura Carpman, curator Jessye Norman, and conductor George Manahan. This new work later premiered at Carnegie Hall.

He enjoys teaching a large and exuberant studio of clarinet and bass clarinet players in Ann Arbor, MI, where he performs other free-lance engagements.